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              NESSUN' DORMA (NO ONE SLEEPS) SYNOPSIS San Francisco is preparing 
              for the premiere of a new staging of the Puccini opera, Turandot. 
              The passionate story of the Chinese princess, Turandot, and the 
              mysterious three riddles which are the key to her heart are on the 
              lips of opera buffs throughout the city.  
            At the same time, a serial killer is haunting the gay bars of the 
              city and is killing HIV positive young men. He paints the bodies 
              of each of his victims with a red cross. Is this blasphemous sex 
              play or the deeds of a mad homophobe? Local elections are around 
              the corner and the religious right is losing no time capitalizing 
              on the horror. They flood the television screens, decrying the supposed 
              moral degradation of homosexuality. 
             A young gay East German medical student, Stefan arrives in the 
              city for a mediacl congress and is following the trail of his dead 
              father, a once high ranking AIDS researcher in the East. Stefan 
              is investigating whether the HIV virus was an incremental result 
              of secret human experiments that were conducted in US prisons in 
              the seventies. Secret lists involving these biological experiments 
              are rumored to have surfaced in San Francisco. Stefan's research 
              is ridiculed by scientists and activists alike. 
             Stefan begins to neglect his work and is drawn into San Francisco's 
              gay club scene. In the midst of wide-spread AIDS education and strict 
              safe sex clubs, Stefan discovers that a shadow world is emerging 
              on the border of death: people back-sliding into high-risk sex and 
              HIV-infected gay men standing before the decision to fade away quietly 
              or to fully live out once more their desires, dreams and fears. 
              More than once, Stefan crosses the serial killer's trail and he 
              comes to the attention of Homicide Detective Louise Tolliver, the 
              SFPD officer in charge of the investigation. The tough woman detective 
              brings Stefan in for an interview. Like most people from the Eastern 
              bloc countries, Stefan distrusts officialdom and the police in particular. 
              Stefan and Tolliver play a cat and mouse game but simultaneously 
              seem to forge a strange connection.  
            Despite warnings and the near hysteria building in the city, Stefan 
              continues to cruise in the clubs. He becomes involved with the enigmatic 
              Jeffrey who fits vague descriptions of the murderer.. Its soon apparent 
              that Jeffrey has been infected for year with HIV. His connection 
              to a fundamentalist Christians is less apparent, but proves fateful. 
              Like the Chinese Princess Turandot, Jeffrey doesn't believe in the 
              signs of Stefan's feelings for him. Stefan wants to win Jeffrey's 
              trust and affection, but to achieve that, he has to free Jeffrey 
              from his own gay self-hatred. This requires a painful journey through 
              Jeffrey's dark past and lays bare Stefan's own carefully repressed 
              death wish.  
            Motivated by a mixture of professional utility and personal sympathy, 
              Detective Louise Tolliver seeks further contact with Stefan in order 
              to open up new avenues in the case. Stefan blocks her out of distrust. 
              Unknowingly, he is drawn ever deeper into the Christian fanatics' 
              web of influence. Another murder is committed, and the trail of 
              the victim leads to the neurologist Dr. Burroughs who has also treated 
              Jeffrey in the past. Stefan's suspicion falls again on Jeffrey, 
              who again pushes Stefan away. Then Stefan discovers that Burroughs 
              is probably in possession of the secret government lists, and that 
              Burrough's influence is by no means confined to San Francisco. But 
              by this time Stefan is the hunted, just as Louise Tolliver begins 
              to focus her investigation on him. Stefan senses the solution is 
              near, but he knows that he can conquer the endless ritual of destroying 
              and being destroyed only if he confronts heads-on the greatest dangers: 
              Jeffrey, Burroughs, and his own darkest side.  
            
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